GEAR

    CAMERAS

  • SONY PXW-FS7 (4K, 180fps slow mo, s-log 3, 422 in 10 bit)

  • SONY A7S II (4K, 120FPS SLOW MO, S-LOG 3)

  • Panasonic Lumix GH4 (4K, 96fps)

  • Panasonic LUMIX gh3

  • Fujifilm x-pro 1

  • Fujifilm x-100s

  • nikon d300 

  • 'DJI PHANTOM 3 PROFESSIONAL' DRONE - 4K VIDEO

    LENSES

  • Panasonic 20mm f/1.7

  • sigma 18-35mm f/1.8

  • nikon 50mm f/1.4

  • nikon 60mm f/2.8 macro

  • nikon 70-200mm f/2.8 vrii

  • sigma 10-20mm f/3.5-5.6

  • fujifilm 35mm f/1.4

  • fujifilm 18mm f/2

     CAMERA SUPPORT

  • kessler pocket jib traveler

  • MOVI M5

  • RHIno slider evo carbon - motorized slider

The main workhorse camera is the new Sony FS7 capable of recording in 4K in 10 bit 422 color space, S-Gamut3Cine/S-Log 3, frame rates up to 180fps in HD for incredible slow motion footage. I have a Video DSLR kit withPanasonic GH3, as well as the Panasonic GH4 capable of 4K resolution and high speed slow motion up to 96 fps. Wide range of lenses for these cameras. Other cameras are also available on request.

DJI Phantom 3 Professional drone capable of recording in 4K. 

The MOVI M5 gimbal stabilizer for smooth camera movements.

For lighting I use a Kino Flo 4 Bank and Westcott TD6 with a variety of light modifiers (medium softbox, 60″ ‘octabank like’ modifier, umbrella, etc..).

Other extras including sound gear, Zoom H6 sound recorder, Røde Videomic Pro, and Røde NTG-3 Shotgun mic, large selection of filters including ND filters, and enhancers. Redrock follow focus, Marshall HD monitor, Small HD DP4 monitor, and Zacuto Z-Finder EVF Pro.

HD editing kit, Adobe Creative Suite CC Premium Production comprising Premiere CC, After Effects CC, SpeedGrade CC, and various plug-ins including Magic Bullet Looks II, Colorista II, Film Convert, Vision-Color LUTs, DeNoiser II, PluralEyes for audio synching.

Mac Pro Quad 2.8 Ghz with 30″ and 23″ HD displays.
Mac Book Pro 2.3 Ghz 17″ Intel Core i7.

New addition to my gear list is the MōVI M5 from FreeFly Systems that allows for incredibly smooth moving shots.

SONY A7S II (4K, 120FPS SLOW MO, S-LOG 3)

Movi10.jpg

Description (from Freefly Cinema): Introducing a handheld 3-axis digital stabilized camera gimbal, so advanced, it redefines the possibilities for camera
movement. The heart of the gimbal is Freefly’s proprietary high performance IMU and brushless direct drive system. The gimbal is 100% custom designed in-house by our engineering team. No compromises were made to accommodate off-the-shelf brushless motors, motor drives or IMUs. Creating the gimbal from scratch allowed Freefly to precisely execute our vision for the next generation of stabilized camera gimbals. In creating this camera gimbal, we aim to empower a new era of stabilized cinematography. Freefly MōVI – “The New Moving Picture.”